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https://w.atwiki.jp/v-lyrics/pages/458.html
せきひ [ TAG Defoko L-S UnofficialVocaloid inaphon title せ] Music inaphon/inaphon Lyric inaphon/inaphon Arrange inaphon/inaphon Vocal Defoko Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm7615309 http //www.nicovideo.jp/watch/sm7615309 Translations ■ Show/Hide Romaji kieru kotoba asayake ni nori mada oboete ita kakera to, mukoo ni shiroi kumo ga azayaka ni nari me no mae no ima ga mabuta no oku ni (nokosareta watashi wa, doo sureba iino?) (moo, aenai danante...) kie nai ato arishi hi no jookei michi wo ayadotta hizashi no yoo ni me wo tojite mo yaketsuita emi mooichido mise te konna hazuja naku te imakara nara soko e oitsukeru ki ga shite kakedasu watashi wo yurushite kudasai onaji basho e itte onaji yoo ni watashi mo... (ite kureru dake de) (tada) (ite kureru dake de, yokatta noni) (dooshite) (itte shimattan darou) (dooshite...) 2009-09-13 Checked by damesukekun 2009-09-13 17 06 Generated automatically [部分編集] ■ Show/Hide Translation Tombstone 2009-09-13 First Entry 2009-09-16 00 16 30 (Wed) Last update Trasnlated by damesukekun Title Tombstone Lyric A dying word rides on the flaming dawn sky A fragment of remembrance is still in my brain And the white cloud there gains the color This very moment is printed on my memory What do I do left behind? What is it that I can t see you any longer... Here the fadeless mark and the memories of the past days Your smile appears again and again every time I close my eyes It was like the sunlight that gave brightness to the ways Show me your smile once more This mustn t be what you meant! I feel I can catch you if I do now Please give me pardon cause I m rushing to you I go where you are now and, also... All my wish was, just all, all my wish was that you were just with me Why, why have you gone by yourself? Why... Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Last modified 2009-09-16 00 16 30 (Wed) Original Lyric, Nicosound MP3, etc http //www24.atwiki.jp/utauuuta/pages/399.html http //nicosound.anyap.info/sound/sm7615309 http //www.nicomimi.com/play/sm7615309 Sub video, PV, other fan made video in YouTube http //www.youtube.com/watch?v=J77NaQaH8Sg http //www.youtube.com/watch?v=HiMqjWhhQ14 [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る http //www.youtube.com/watch?v=HiMqjWhhQ14 http //www.youtube.com/watch?v=J77NaQaH8Sg (Information in this page is based on UTAUMusicDB@Wiki) _
https://w.atwiki.jp/nokelila/pages/11.html
https //www.thewyco.com/news/covid-19-live-updates-more-us-pharmacies-to-start-vaccinating-high-risk-groups-06-01-2021 https //ww84w.medium.com/covid-19-live-updates-more-u-s-pharmacies-to-start-vaccinating-high-risk-groups-3949efd8f47c https //blog.goo.ne.jp/upcomingmovies2021/e/7acaad51367950d2de6ee4d51ed9cb6a https //fehimozodigital1.hatenablog.com/entry/2021/01/07/074928?_ga=2.63286698.444645817.1609973370-341740688.1609973370 https //www.mychemicalromance.com/news/rtye4n5e5-neryerydyetstr-3658736 https //www.topfind88.com/post/1263442/watch-news-of-the-world-2020-full-movie-online-free https //paiza.io/projects/ocKUUZiN7YrSrxJADILsNg?language=php https //ideone.com/QWy0a7 https //paste.feed-the-beast.com/view/1e91f719 https //paste.centos.org/view/938ac625#EECaKH2JesBoCXnUZ5BpCaNZU9BO3VB4 https //paste.ee/p/FP2Ok https //paste2.org/LfagFpEm https //note.com/covomaz/n/n2231f98d9718 https //www.peeranswer.com/question/5ff63767f5203a8c52ba37d4 https //www.wattpad.com/1006907170-watch-wonder-woman-1984-streaming-now-try-rye https //minimore.com/b/xUdCr/1 https //caribbeanfever.com/photo/albums/dr-esyrdyrs-setb-sedrtf http //officialguccimane.ning.com/photo/albums/rey-nsr-tsetzrsfdf http //millionairex3.ning.com/photo/albums/twb5b-w5w-besr4awrvawra http //recampus.ning.com/profiles/blogs/w4tbewb6e4w-6btwb-wbaw-w-f http //sfbats.ning.com/profiles/blogs/st-ewtytwt-eterth-rthdfxghnb http //www.4mark.net/story/3035899/watch-news-of-the-world-2020-full-movie-online-free https //www.1upfun.com/link/680063/train-to-busan-2-peninsula-2020-full-hd-movie-online-free https //www.scribd.com/document/489978956/nowwwr-ret-setrst https //brainly.co.id/tugas/37311827 https //archive.org/details/httpssites.google.comviewsdjkff https //eodev.com/gorev/20101291 https //znanija.com/task/41734561 https //nyhuseri.tumblr.com/post/639602996725121024/kfhh-ge-rejror-orweojtehnf http //www.goqna.com/41194/erh-w9orwe9r8uw-wr-8eur9urf
https://w.atwiki.jp/touhoukashi/pages/3018.html
【登録タグ A-One C NAGISA TOHO EUROBEAT VOL.6 おてんば恋娘の冒険 曲 狂気の瞳 ～ Invisible Full Moon】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/1838.html
【登録タグ Romonosov? S たま コモン・スカイ 曲 芥川龍之介の河童 ～ Candid Friend 魂音泉】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/stones/pages/382.html
THE ROLLING STONES ON TV SHOW IN 60 S (TV SHOWS) 1964 1 I m Alright (the tami awards show, 10.29.1964) 2 You Better Move On (the arther haynes show, 2.7.1964) 3 I Just Want To Make Love To You (hollywood palace show, 6.3.1964) 4 Time Is On My Side (the tami awards show, 10.29.1964) 5 Around Around (the tami awards show, 10.29.1964) ■THE ROLLING STONES ON TV SHOW IN 60 S (Columbia COBY-5018) (DVD) Tracks 1-5 mono BRITISH ROCK THE FIRST WAVE (TV SHOWS) 1964 1 I Just Want To Make Love To You (big beat 64, 4.26.1964) 2 I Wanna Be Your Man (the arther haynes show, 2.7.1964) 3 Around Around (the ed sullivan show, 10.25.1964) ■BRITISH ROCK THE FIRST WAVE (Laserdisc SM035-3382) (LD DVDR) Tracks 1-3 mono READY STEADY GO! VOLUME ONE, TWO THREE (ARTV) 1964 - 1966 1 Under My Thumb (5.27.1966) 2 Paint It, Black (5.27.1966) 3 I Got You Babe (9.2.1965) 4 (I Can t Get No) Satisfaction (9.2.1965) 5 Off The Hook (11.20.1964) 6 Brian Mick Interview with Keith Fordyce (11.20.1964) 7 Little Red Rooster (11.20.1964) ■READY STEADY GO! VOLUME ONE, TWO THREE (Laserdisc SM035-3383/5) (LD DVDR) Tracks 1-7 mono TONITE! LET S ALL MAKE LOVE IN LONDON (FILM) LIVE AT ROYAL ALBERT HALL, LONDON, 9.23.1966 1 Have You Seen Your Mother, Baby, Standing In The Shadow ? (promo #2 very fast cuts version, 1966) 2 Lady Jane (promo, 1966) ■TONITE! LET S ALL MAKE LOVE IN LONDON (Broadway BWD-1240) (DVD) Tracks 1-2 mono ONE PLUS ONE (FILM) OLYMPIC SOUND STUDIOS, LONDON, 6.4 - 6.11.1968 1 Title 2 The Stones Rolling 3 Out Side Black Novel 4 Sight Sound 5 All About Eve 6 Hi Fiction Science 7 The Haert Of Occident 8 1 Plus 1 Makes 2 9 Inside Black Syntax 10 Changes In Sociaty 11 Under The Stones The Beach 12 End Credit ■ONE PLUS ONE (Pony Canyon PCBE-00014) (DVD) Tracks 1-12 mono ROCK ROLL CIRCUS (BBC TV) INTERTEL STUDIOS, LONDON, 12.10 - 12.12.1968 1 Mick Jagger s Introduction Of Rock Roll Circus 2 Entry Of The Gladiators 3 Mick Jagger s Introduction Of Jethro Tull 4 Song For Jeffrey (Jethro Tull) 5 Keith Richard s Introduction Of The Who 6 A Quick One While He s Away (The Who) 7 Over The Waves 8 Ain t That A Lot Of Love (Taj Mahal) 9 Charlie Watts Introduction Of Marianne Faithfull 10 Something Better (Marianne Faithfull) 11 Mick Jagger s John Lennon s Introduction Of The Dirty Mac 12 Yer Blues (The Dirty Mac) 13 Whole Lotta Yoko (Yoko Ono Ivry Gitlis with The Dirty Mac) 14 John Lennon s Introduction Of The Rolling Stones Jumpin Jack Flash (The Rolling Stones) 15 Parachute Woman (The Rolling Stones) 16 No Expectations (The Rolling Stones) 17 You Can t Always Get What You Want (The Rolling Stones) 18 Sympathy For The Devil (The Rolling Stones) 19 Salt Of The Earth (The Rolling Stones) ■ROCK ROLL CIRCUS (abkco UIBO-1033) (DVD) Tracks 1-19 stereo THE STONES IN THE PARK (GRANADA TV) LIVE AT HYDE PARK, LONDON, 7.5.1969 1 Midnight Rambler 2 Street Fighting Man 3 (I Can t Get No) Satisfaction 4 I m Free 5 I m Yours I m Hers 6 Jumpin Jack Flash 7 Honky Tonk Women 8 Love In Vain 9 Sympathy For The Devil ■ ■THE STONES IN THE PARK (avex rush AVBF 22866) (DVD) Tracks 1-9 mono THE STONES IN THE PARK OUTTAKES 1 Mercy, Mercy 2 Stray Cat Blues 3 No Expectations ■THE STONES IN THE PARK (avex rush AVBF 22866) (DVD) Tracks 1-3 mono GIMME SHELTER (FILM) LIVE AT MADISON SQUARE GARDEN, NEW YORK CITY, NEW YORK, 11.27 - 11.28.1969 ALTAMONT SPEEDWAY, LIVERMORE, CALIFORNIA, 12.6.1969 1 Jumpin Jack Flash (11.28-1st show) 2 (I Can t Get No) Satisfaction (11.28-1st 2nd show) 3 You Gotta Move (part only) (muscle shoals) 4 Wild Horses (part only) (muscle shoals) 5 Brown Sugar (part only) (muscle shoals) 6 Love In Vain (11.27 or 11.28, soundtrack is 11.26) 7 I ve Been Loving You Too Long (Ike Tina Turner) (11.27 or 11.28) 8 Honky Tonk Women (11.28-2nd show 11.27) 9 Street Fighting Man (11.28-2nd show) 10 Six Days On The Road (The Flying Burrito Brothers) (12.6) 11 The Other Side Of This Life (Jefferson Airplane) (12.6) 12 Sympathy For The Devil (12.6) 13 Under My Thumb (12.6) 14 Street Fighting Man (part only) (12.6) 15 Gimme Shelter (part only) (12.6) ■ ■GIMME SHELTER (The Criterion Collection 99) (DVD) Tracks 1-15 stereo GIMME SHELTER OUTTAKES 1 Little Queenie (overdub) 2 Little Queenie (11.27 or 11.28) 3 Carol (11.27 or 11.28) 4 Prodigal Son (11.27 or 11.28) ■GIMME SHELTER (The Criterion Collection 99) (DVD) Tracks 1-4 mono LET S SPEND THE NIGHT TOGETHER (FILM) 1 Under My Thumb (12.13.1981) 2 Let s Spend The Night Together (12.13.1981) 3 Shattered (12.13.1981) 4 Neighbours (12.13.1981) 5 Black Limousine (12.13.1981) 6 Just My Imagination (12.13.1981) 7 Twenty Flight Rock (12.13.1981) 8 Let Me Go (12.13.1981) 9 Time Is On My Side (12.13.1981) 10 Beast Of Burden (12.13.1981) 11 Waiting On A Friend (12.13.1981) 12 Going To A Go Go (11.6.1981) 13 You Can t Always Get What You Want (11.6.1981) 14 Little T A (11.5.1981) 15 Tumbling Dice (11.5.1981) 16 She s So Cold (11.6.1981) 17 All Down The Line (11.5.1981) 18 Hang Fire (11.5.1981) 19 Miss You (11.6.1981) 20 Let It Bleed (11.5.1981) 21 Start Me Up (11.5.1981) 22 Honky Tonk Women (12.13.1981) 23 Brown Sugar (11.5.1981) 24 Jumpin Jack Flash (12.13.1981) 25 (I Can t Get No) Satisfaction (11.6.1981) ■LET S SPEND THE NIGHT TOGETHER (TFC TBD 1070) (DVD) Tracks 1-25 stereo VIDEO REWIND / THE ROLLING STONES GREAT VIDEO HITS (VIDEO) (released 11.14.1984) 1 She Was Hot (promo, 1984) 2 She s So Cold (promo, 1980) 3 Emotional Rescue (edited version 3) (promo #3 montage version 1980/1984) 4 Waiting On A Friend (promo, 1981) 5 Angie (promo #2 sitting version, 1973) 6 Brown Sugar (live mix 1972/76/81) 7 Neighbours (promo, 1981) 8 Too Much Blood (promo, 1984) 9 It s Only Rock n Roll (But I Like It) (promo, 1974) 10 Miss You (promo, 1978) 11 Undercover Of The Night (promo #2 hard core version, 1983) 12 Start Me Up (live mix 1981/82) ■VIDEO REWIND (Vestron Music Video G38M5446) (LD DVDR) Tracks 3, 5, 9-10 mono, 1-2, 4, 6-8,11-12 stereo 25X5 / THE CONTINUING ADVENTURES OF THE ROLLING STONES (VIDEO) (released 2.1990) 1 You Better Move On (the arther haynes show, 2.7.1964) 2 Little Red Rooster (ready, steady, go!, 11.20.1964) 3 Around Around (the rolling stones gather moss, 9.21.1964) 4 I Just Want To Make Love To You (hollywood palace show, 6.3.1964) 5 Carol (dutch TV, 8.8.1964) 6 Time Is On My Side (the ed sullivan show, 10.25.1964) 7 The Last Time (shindig!, 5.20.1965) 8 (I Can t Get No) Satisfaction (shindig!, 7.28.1965) 9 (I Can t Get No) Satisfaction (the ed sullivan show, 2.13.1966) 10 19th Nervous Breakdown (the ed sullivan show, 2.13.1966) 11 Have You Seen Your Mother, Baby, Standing In The Shadow ? (promo #2 very fast cuts version, 1966) 12 Paint It, Black (the ed sullivan show, 9.11.1966) 13 Let s Spend The Night Together (the ed sullivan show, 1.15.1967) 14 2000 Light Years From Home (promo, 1967) 15 Jumpin Jack Flash (promo #2 painted version, 1968) 16 Sympathy For The Devil (one plus one, 1968) 17 You Can t Always Get What You Want (rock roll circus, 12.12.1968) 18 Honky Tonk Women (the stones in the park, 7.5.1969) 19 Under My Thumb (gimme shelter, 12.6.1969) 20 Happy (cocksucker blues, 6.25.1972) 21 Midnight Rambler (ladies gentlemen, 6.25.1972) 22 Angie (promo #1 standing version, 1973) 23 It s Only Rock n Roll (But I Like It) (promo 1974) 24 Brown Sugar (US TV, 5.1.1975) 25 Star Star (les rolling stones aux abattoirs, 6.6.1976) 26 Before They Make Me Run (5.5.1979) 27 Start Me Up (let s spend the night together, 11.5.1981) 28 (I Can t Get No) Satisfaction (US TV,12.18.1981) 29 Waiting On A Friend (promo, 1981) 30 One Hit (To The Body) (promo, 1986) 31 Just Another Night (Mick Jagger) (promo, 1988) 32 Take It So Hard (Keith Richards) (promo, 1988) 33 Mixed Emotions (promo, 1989) 34 Rock A Hard Place (promo #2 less graffiti-effects version, 1989) ■25X5 / THE CONTINUING ADVENTURES OF THE ROLLING STONES (CBS/Sony Videodisc CSLM 753/4) (LD DVDR) Tracks 1-13,16-18,24,26 mono, Tracks 14-15,19-23,25,27-34 stereo ROLLING STONES LIVE AT THE MAX (IMAX FILM) 1 Continental Drift (8.25.1990) 2 Start Me Up (8.24.1990) 3 Sad Sad Sad (7.28.1990) 4 Tumbling Dice (8.24.1990) 5 Ruby Tuesday (8.25.1990) 6 Rock A Hard Place (7.28.1990) 7 Honky Tonk Women (7.28.1990) 8 You Can t Always Get What You Want (8.5.1990) 9 Happy (8.14.1990) 10 Paint It, Black (7.28.1990) 11 2000 Light Years From Home (7.28.1990) 12 Sympathy For The Devil (8.24.1990) 13 Street Fighting Man (8.25.1990) 14 It s Only Rock n Roll (But I Like It) (8.14.1990) 15 Brown Sugar (8.25.1990) 16 (I Can t Get No) Satisfaction (8.24.1990) ■ROLlING STONES LIVE AT THE MAX (Columbia COBY-90008) (DVD) Tracks 1-16 stereo NEXT
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James Gardiner? Cool Stuff Things to Make and Do (Crafty Girl) Jennifer Traig?Julianne Balmain?Stephanie Sadler? The Baseball Chronicle A Decade-By-Decade History of the All-American Pastime Larry Burke?Paul Ladewski? Everyday Home Repairs (Do It/Purchase As a Prepack of 6) Chronicle Of The Olympic Games Farewell Perestroika A Soviet Chronicle Boris Kagarlitsky?Rick Simon? Stephen De Staebler The Figure Stephen Destaebler?Donald Kuspit?Lynn Gamwell?San Francisco Museum of Modern Art? Seemore Readers Mars (Level 1) Seymour SimonChronicle Books The Wapshot Chronicle (G K Hall Large Print Perennial Bestseller Collection) John Cheever? 1995 Wall Cal Native Amer Wm Nancy Hathaway? The Morning Chronicle Survey of Labour and the Poor Henry Mayhew? Seemore Readers Mars (Level 1) Seymour SimonChronicle Books Guitarmaking Tradition and Technology A Complete Reference for the Design Construciton of the Steel-String Folk Guitar the Classical Guitar William R. Cumpiano?Jonathan D. Natelson? 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Cal 95 Kinsey Locomotive Portraits/Easel Darius Kinsey?Tabitha May Kinsey? History of the World A 6000 Year Chronicle of Time Trip Snaps (Series Snapshot Screen Books) Essential Car Care Do It! (Do It/Purchase As a Prepack of 6) Mahayamsa Or, the Great Chronicle of Ceylon Wilhelm Geiger? On Flowers/Prepack of 6 (Bookcard Series) Chronicle Books Robert Mapplethorpe Creatures (Bookcard Series) Beth Van Hoesen? Great Paintings the Frick Collection for Windows Chronicle Books Oaxacan Woodcarvings Studio Calen Kilim The Complete Guide History Pattern Technique Identification Alastair Hull?Jose Luczyc-Wyhowska? Peckertracks A Chronicle Stan Dragland? The Morning Chronicle Survey of Labour and the Poor Henry Mayhew? Cottage Book Richard Sexton? Wapshot Chronicle John Cheever? At the Beach Calendar 1995 Bijou, Bonbon Beau The Kittens Who Danced for Degas Joan Sweeney?Leslie Wilson Wu? Robert Mapplethorpe Grow Great Annuals (Do It/Purchase As a Prepack of 6) Absinthe History in a Bottle Barnaby Conrad? Go for It Martha Douglas? Beautiful Bulbs Georgeanne BrennanMimi LuebbermannFaith Echtermeyer
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Market Scenario The global Gaming Console market is expected to register a CAGR of ~5.37% during the forecast period, 2021–2030. In this report, Market Research Future (MRFR) includes the segmentation and dynamics of the Gaming Console market to offer a better glimpse into the coming years. The major factors driving the growth of the gaming console market are the rising demand of 3D video games and increasing number of e-sport tournaments. However, lack of skilled professionals is hindering the market growth. Although, advancement in core wireless connectivity is creating an opportunity in the market. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10770 Competitive Outlook The global Gaming Console market is characterized by the presence of several regional and local providers. Some of the key players in the market are Sony Corporation (Japan), Microsoft Corporation (US), Nintendo Co., Ltd. (Japan), Logitech Inc. (Switzerland), Valve Corporation (US), NVIDIA Corporation (US), PlayJam (UK), BlueStacks (US), OUYA Inc. (US), Sega (Japan) and Atari (US). Segmentation The global gaming console market has been segmented based on type, application, end user and region. By type, the global gaming console market has been divided into home console, handheld console, hybrid console. A home console is a gaming console that is connected to a device such as displays, television and to an external power source. These have advanced graphics abilities but with a limited storage capacity. The handheld console is has a built-in game consoles, screen and speaker. It is a portable, small self-contained video game console that contains console, speaker, screen and controls all in one unit. A hybrid game console is a combined form of home and handheld console. It has either a docking station or a wired connection that connects the console unit to a fixed power source and television unit. Based on application, the global gaming console market has been segmented into gaming and non-gaming. The gaming consoles are integrated with multiple features that offers both gaming and non-gaming or entertainment console. The rise of gaming consoles integrated with extensive content applications such as Netflix, YouTube, Amazon Prime Video and others are included in the non-gaming application. The development of controller-free gaming console is anticipated to drive the gaming application for the gaming console market. Based on end user, the global gaming console market has been segmented into residential and commercial. The residential sector is expected to boost the growth of the market owing to the rising need for gaming accessories, 3D gaming headsets, integrated mic, gaming mouse, game-enabled television and others. The commercial sector is also anticipated to grow owing to the growing demand of cloud gaming services. These services store a huge amount of gaming data along with improved security methods. Regional Analysis The regional analysis for the global Gaming Console market has been done for North America, Europe, Asia-Pacific, and the Middle East Africa, and South America. The market in Asia Pacific accounted for the largest market share in 2020, and it is expected to register strong growth during the forecast period. However, the North America area is experiencing tremendous growth due to growing adoption of modern technologies such as AR-VR platform, cloud services, Bluetooth, 3D technology and others. The major North American countries are technologically advanced and provide significant investment and income potential. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/gaming-console-market-10770 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. 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Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com #market #research #industry #data #report #share #digital #gnews Plugin Error キーワードを入力してください。 #trend #future #analyis #industryreport #industrygrowth #demographic #strategy #manegment